Last night I discovered that I had stood in almost the same places as Frank Hurley to take photographs at Petra, and was fascinated by how little the place had changed between our visits. If making a comparison between my images and Hurley’s was cheeky (and indeed it was!) then this is even more outrageous.
Interesting, though, to see that some things about Paris haven’t changed a great deal in 60 years: people still sit on the embankment of the River Seine, canal boats still moor by the Pont Neuf, and the skyline behind Ile de la Cite has gained only one tall building.
Although it’s possible to stand where the great man stood, and to point a camera at the same things he saw, it is totally impossible to replicate digitally the fabulous film grain and misty light in Cartier-Bresson’s image. And that, I think, is a very good thing.
Ile de la Cite, Paris, gelatin silver print by Henri Cartier-Bresson, 1952
Ile de la Cite, Paris, digital image by me, 2011. (Black and white conversion and “film grain” added in Capture NX2 and Photoshop Elements.)



















































































